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Lantern Making

    Lantern Making

    Lantern is an ancient lamp that has a history of more than 2000 years. The Chinese New Year is traditionally celebrated over 15 days, culminating in the “Lantern Festival” or “Yuan Xiao”. The “Lantern Festival” is a day dedicated to traditional lantern festivities dating back to the Tang Dynasty. The day falls on the first full moon of the New Year, with family members coming together to celebrate the occasion and soak in the convivial mood. The vibrant lights symbolise hopes of the people such as prosperity of the nation and yearnings for a better life.

     

    In Singapore, many Chinese families fondly preserve the festive traditions of “Lantern Festival”. Lanterns nowadays come in a large variety of designs and colours. The most common Chinese lanterns are red as the colour symbolises peace, good fortune, longevity and passion. Chinese lanterns often found in Singapore can be classified into two categories: Teochew lanterns and Fuzhou lanterns.

     

    Differences between Teochew and Fuzhou lanterns

     

    The traditional Chinese lantern comprises a bamboo weaved frame, oil-coated silk paper with elaborately painted patterns. The main difference between Teochew and Fuzhou lanterns is their frame weaving methods.

     

    Teochew lanterns are made by traditional craftsmanship; criss-crossing and moulding thin bamboo splints to make the lantern frames. After constructing the frames, a group of artisans affix layers of paper together before painting on the lantern. The lantern is then coated with a layer of wood oil. The common patterns include dragons, phoenixes and tigers. Well wishes, names of Chinese Gods or surnames of families are also often painted on the lanterns. Today, the main demand of these lanterns comes from Chinese temples and Chinese clan associations.

     

    The frames of Fuzhou lanterns are made of parallel bamboo splints. The bamboo splints are held in place by the top and bottom bases of the lanterns. Fuzhou lanterns are retractable for transportation purposes while Teochew lanterns do not have this feature. Due to its umbrella-like frame, Fuzhou lanterns are also known as the “Umbrella lights.” In Singapore and Malaysia, family names and clan titles are often seen painted on one side of the lanterns hung outside the residences. On the other side, you can often see paintings such as the Eight Immortals, derived from traditional Chinese legend. This kind of lantern is called “Baba Lantern” by the Peranakan Chinese, also known as the “Name Lamp” in Malaysia.  For lanterns customised for temples, well wishes and poetic words are usually painted on it. Paintings of dragons, phoenixes, name of clan and God are also often seen on Fuzhou lanterns.

     

    In addition to the traditional red lanterns, some lanterns have a plain white background. Most traditional lanterns in Singapore and Malaysia have red-coloured wordings on white backgrounds. Some traditional lanterns in Taiwan have red and yellow wordings on white background. There are also special cases where gold wordings are painted on black, oil-coated lanterns. These lanterns are conferred upon by the emperor to his subjects and represented power and status.

     

    The acquisition of bamboo splints

     

    Teochew lanterns are made by criss-crossing bamboo splints; thus these bamboo splints must be resilient and similar in length and thickness. Fuzhou lanterns, on the other hand, require straight and thin bamboo splints before experienced masters are able to attach them to the base plates.  The quality of the bamboo splints plays a big role in determining the quality of the final product.

     

    Retired interior designer dedicates his time

    to Lantern Making

    ——An exclusive with Wong Pui Fatt

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    Experiencing lantern making

    Interview with lantern maker Mr. Wong

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    Eight years ago, Mr. Wong Pui Fatt, a interior designer by learning, decided to further his longtime interest in lanterns and other traditional crafts. He made numerous trips to various parts of China as well as Penang, Malaysia to learn from renowned lantern makers. Apart from intensive academic research, Mr. Wong spent much of his time studying the different lanterns and trying his hand at making them. Finally, after countless trail and error, Mr. Wong successfully rediscovered the technique behind the “umbrella lamps”.

     

    Explaining his love for lanterns, Mr. Wong said, “ I started paying attention to lanterns in 2006 and began making the lanterns around 2008. Opening a shop requires much time and money; I would rather spend my time on making lanterns now that I’m semi-retired.”

     

    Mr. Wong’s forte lies in making Fuzhou lanterns as he believes Fuzhou lanterns are more challenging to make. Traditional Fuzhou lanterns are made using bamboo splints and are structurally unique. Structurally similar to an umbrella, the unique structure makes it possible to fold the lantern for easy keeping.

     

    Mr. Wong bemoans that the trade is slowly disappearing along with its practitioners. “This year, a renowned lantern maker passed away in Penang and now the only one left in Southeast Asia is in Malaysia, and he is in his 80s.”

     

    Reflecting on the development of lantern making in Singapore, Mr. Wong opines that the biggest challenges are the shortage of raw materials, and the limitation of time and manpower. Referring to a standard pair of lanterns, Mr. Wong reckons its market value lies between $800 and $1000. It usually takes up to 2 or 3 weeks to finish a pair of lanterns. Most Teochew lanterns found in Singapore arrived here already half-made, but the cost of transporting the lanterns is substantial. The red lanterns most commonly found today on the streets are rapidly replacing the traditional lanterns due to its ease and speed of production.  

    A Lifetime of Commitment

    ——An exclusive with Yeo Hung Teo

     

     

    At 76 years of age, Mr. Yeo Hung Teo is at the helm of Yeo Swee Huat Paper Agency, a shop that has a history of more than 60 years. Mr. Yeo dropped out of school when he was 16 to join his father in the paper agency business. With a deep passion for traditional arts, he picked up the basics of paper crafting in a short period of time. Recalling his past, Mr. Yeo expressed that it was one that was filled with hardships.

     

    Before officially taking over the paper agency, Mr. Yeo worked as a clerk in the shop. The elder Mr. Yeo had scrimped and saved just to open the shop. The younger Mr. Yeo decided to stay home and help out with the business. According to him, most paper crafters hailed from China, and were wary of sharing the knowledge of paper crafting. The younger Mr. Yeo had to discreetly learn every part of the lantern making process, from painting to writing and even memorization of the measurements.

     

    With a palpable sense of pride, Mr. Yeo recalls, “I slept in the shop and studied the lanterns at night, recording every minute detail that I observe. Before long, I managed to master all the techniques. Our business flourished and some of the paper crafters in our shop decided to strike it out on their own. My father initially wanted to look for other paper crafters but I told him it is not necessary; I am good enough to teach any paper crafters you can find.”

     

    A passion for traditional lanterns

     

    Although the paper agency mainly sells religious and funeral paraphernalia, Mr. Yeo Hung Teo has a soft spot for lanterns. In his attempt to further develop the artistry on the lanterns, Mr. Yeo added luminous paint into the coloring pigments. 

     

    Mr. Yeo reckons that in order to successfully pick up the art of lantern making, one has to first learn how to construct the frames of the lanterns. There are various methods of construction; such as crisscrossing and the T-shaped cross. The most important part, he says, is the connection between the bamboo splints. The better they are tied together, the stronger the connection and the stronger the eventual lantern will be. The making of traditional lanterns require the acquisition of bamboo splints that are resilient and a special type of paper made that is less likely to break. Glue with a high level of stickiness is also a must in order to secure the paper to the lantern frames.

     

    Having started at the age of 16, Mr. Yeo toiled in his father’s shop all these years, and is now a specialist in painting peonies, dragons and phoenixes. This self-taught artist is also renowned paper-crafting master in Southeast Asia.

     

    The challenges of passing down the trade

     

    “This is not an easy job, often we have to meet tight deadlines and stay up till the wee hours in the morning. This business is also not one of high profit margin; the young today often deem the pay unacceptable, so few are willing to learn. There are also many shops that are replacing traditional raw materials with cheaper materials for a more cost effective option. However the lanterns made from alternative raw materials will never be as durable as the traditional lanterns. Though much more demanding in terms of effort, traditional lanterns are so much more durable.” Mr. Yeo muses.

     

    Traditional lanterns are also disappearing due to the reduced emphasis placed on observing the formalities during Chinese festive occasions. As a result, demand for traditional lanterns have reached a nadir and many paper-crafting masters switched profession after realizing the unsustainability of the trade. Today, we can only occasionally see these paper-crafting at cultural events.

     

     

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